Un Mondo A Parte

Inside the image.

A square album cover in pale blue, slate blue and white. A large, softly blended portrait of a woman fills the right side and much of the centre. Her face is turned towards the viewer, with one eye near the upper centre and the other close to the right edge; her nose and slight smile sit lower down. Her light, wavy hair spreads across the upper-right corner and blends into the background. The portrait is cropped by the top, right and bottom edges, and its translucent, washed-out treatment allows other imagery to show through it.

A pale map of Europe occupies the left half, extending behind the face. Its coastlines and country outlines are faintly visible beneath a curved grid of latitude and longitude lines, which continues across the portrait and makes the cover resemble a globe or mapped surface. The map, grid and face overlap without hard cut-out edges. Soft blue shading gathers around the perimeter, while the central face and parts of the map are brighter; the overall contrast remains gentle and misty.

At the top, large white serif lettering reads “Un Mondo a Parte”, with the words set in title case and spaced across nearly the full width. Directly beneath it, “annette bryn parri” appears in smaller, widely spaced, black italic lower-case letters. Along the bottom edge, a small blue inscription at left reads “CASGLIAD O UNDAU PIANO”; a black dot separates it from the smaller dark text “A COLLECTION OF PIANO SOLOS”, which runs towards the lower-right corner. The lettering overlays the image, with the bottom line placed over the pale lower part of the portrait and map. There is no visible border. The cover has a photographic, softly dissolved appearance, combining the portrait with map imagery and a globe-like grid.