At Last / Hen Bryd

Inside the image.

A square cover is dominated by a blue-tinted photograph of a woman and a recording microphone. The woman fills much of the left half, shown from the chest up and facing the viewer with a slight smile. Her long, dark, wavy hair frames her face and falls over a dark top. A large studio microphone stands in the foreground near the lower centre-right, its pale grille catching the strongest light; its mount and support extend down and across the bottom of the image. The woman and microphone overlap, giving the composition a shallow sense of depth.

The background is very dark navy, with indistinct studio-like forms and scattered patches of blue light behind the figures. A vivid cyan-blue wash covers the photograph, brightest across the woman's face, hair and the microphone, while the corners and right side recede into deep blue-black. The image has a soft, low-contrast photographic appearance, with some visible grain or image softness; no separate frame or border is apparent.

Typography is integrated into the photograph. Along the right edge, the large word “ERIC” is set vertically in tall, narrow uppercase letters, read from bottom to top. Its letters are muted turquoise and extend nearly the full height of the cover. A smaller, bright white “ERIC” sits over the lower portion of that word, also vertical and read from bottom to top, partly crossing the microphone. Near the lower left, “AT LAST | HEN BRYD” appears in pale blue-grey uppercase lettering, arranged horizontally with a thin vertical divider between the phrases. The text overlays the image without a box or panel.