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Sain (Recordiau) Cyf. · CC BY-SA 3.0
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The Music Of Wales
Bryn Terfel. Based on the oil painting Mountain Landscape by Kyffin Williams (1918–2006).
Album artwork for Bryn Terfel. Based on the oil painting Mountain Landscape by Kyffin Williams (1918–2006)., provided through the SAIN Records collection on Wikimedia Commons.
Inside the image.
A square album cover shows a painted mountain landscape beneath a pale, cloudy sky. A dark, jagged ridge rises from the left and centre, with layered blue-grey peaks receding into the distance. The largest, darkest mountain fills much of the right edge, its steep face cut by angular patches and fine, pale lines. In the foreground, overlapping slopes and crags form a dense band of navy, charcoal and slate-blue shapes, with scattered lighter strokes and small touches of yellow-green. The mountains are cropped by the left, right and lower edges; there is no separate border. The sky occupies roughly the upper third and leaves a light area behind the lettering.
Large, centred title text sits at the top in two lines: “THE MUSIC OF” above the much larger “WALES”. The upper line is set in warm orange-brown capitals with a pale outline or edging; “WALES” is a deeper orange-red, also edged in a light colour. The serif letters have pronounced triangular details and generous spacing. The title stands clearly against the pale sky, with the second line overlapping the mountain skyline. Near the lower left, a line of italic yellow text reads “The very best Welsh singers, choirs & instrumentalists”. Beneath it, several centred lines of small white names, separated by raised dots, are printed over the dark slopes. The lettering is much smaller than the title and sits close to the bottom edge.
The landscape is rendered in visible brush-like marks and broken, angular facets rather than photographic detail. Cool blues, blue-greys and near-black dominate the mountains, contrasted by the soft grey-white sky, the orange title and the yellow subtitle. Light areas in the distance suggest atmospheric separation between the overlapping ranges, while the foreground and right-hand peak appear heavier and more sharply defined.
What the image evokes.
The cover sets its grand, emphatic lettering against a rugged landscape that seems to withdraw into mist. That pairing gives the design a double character: the title feels formal and declarative, while the broken mountain contours remain unsettled, as if the land were still being shaped by weather. The pale sky offers a brief interval of calm above the dense, dark slopes.
The painted, faceted peaks can suggest a romantic idea of mountain scenery, but their cool palette and severe cropping also make the view feel stark and modern. The tall mass at the right presses inward, balancing the lower ridge on the left and keeping the open sky from feeling spacious or serene for long. Orange and yellow lettering brings a human warmth to this cool scene; it reads almost like a banner laid over the landscape, distinct from the world beneath it. The result can evoke a formal collection or anthology, while the irregular brushwork keeps the image from becoming wholly stately.
Associations are subjective readings, rather than documented influences or statements of the artist’s intention.
Read. Share. Reimagine.
These visual notes are offered under CC BY 4.0. Credit dbcovers, link to the source, keep the licence information and indicate any changes.
Ready-to-use attribution
Other attribution formats are allowed when reasonable for the medium and context. The artwork has its own separate licence.
Lettering & observation notes
- THE MUSIC OF — Top centre, first title line.
- WALES — Top centre, beneath “THE MUSIC OF”.
- The very best Welsh singers, choirs & instrumentalists — Lower left, in yellow italics.
- Bryn Terfel • Catrin? • Aled Jones • Dafydd Iwan / Ar Log Siân James • Elinor Bennett • Pontarddulais Male Choir Mary Hopkin • Bob Dylan • John ac Alun Côr Godre’r Aran • 4 yn y Bâr • Côr Seiriol Gwyn Hughes Jones • Pigyn Clust — Several small white lines across the lower part of the cover.
- The small performer names are difficult to distinguish fully at this resolution; some spellings and punctuation may be uncertain.
Artwork sources & licence.
Credit the author and source, link to the licence and indicate any changes. Share adaptations under compatible terms. Read the full licence for details.
- Source year
- 1999
- Source author field
- Sain (Records) Ltd
- Attribution
- Sain (Recordiau) Cyf.
- Collection
- SAIN / Wikimedia Commons
- Catalogue number
- SAIN SCD 2190
- Permission evidence
- Public VRT notice: 2017050910011681
- Source checked
- 20 October 2026
Year as recorded on the source file page; it may not represent the work’s first release. File unchanged; browser preview scaled proportionally.