Pernod

Inside the image.

A spare cover on a white field, with a large red lowercase wordmark, “pernod”, centred near the top. Below it, a narrow horizontal black-and-white drawing sits across the middle. The drawing is enclosed by a thin rectangular border and divided visually between dense, irregular forms on the left and a more structured cluster of upright shapes on the right. The lower portion of the cover is mostly empty white space, interrupted by two centred lines of grey lettering near the bottom: “côr cymraeg” above “coleg y drindod”.

The small illustration is rendered in fine, scratchy black lines against white. On the left, overlapping marks form a rough, densely packed mass, with a few small curved strokes above it. Near the centre, uneven angular forms rise into a low ridge or peaked silhouette. On the right, heavier dark blocks and vertical and horizontal lines suggest a compact arrangement of architectural or industrial elements, including a large upright rectangle and smaller framed sections. The scene is too small to identify these forms more specifically. The thin frame runs close around the drawing, with a small stepped or protruding outline at its right edge.

The palette is limited to white, black, red and grey. The red wordmark is the strongest colour accent; the grey lower lettering is softer and less prominent. There is no visible shading or colour modelling beyond the black linework and areas of solid black. The layout is symmetrical and highly open: the wordmark and lower text are centred, while the panoramic drawing forms a narrow band between them. The lettering is bold and rounded, with the lower two lines appearing in a heavy, soft-edged sans serif. The illustration has a hand-drawn, densely hatched appearance, contrasting with the clean, uncluttered typography and surrounding white space.