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Sain (Recordiau) Cyf. · CC BY-SA 3.0
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Dagrau
Timothy Evans
Album artwork for Timothy Evans, provided through the SAIN Records collection on Wikimedia Commons.
Inside the image.
A square album cover combines a warm-toned portrait with oversized lettering and translucent geometric forms. A smiling man is shown from the upper chest upwards, positioned just right of centre and filling much of the lower-right half. He has short dark hair and wears a dark jacket, white shirt and tie; his face is turned slightly towards the viewer’s left, and his gaze is directed off to that side. The portrait is cropped at the bottom and partly covered by the title lettering and a large pale shape. A dark, curved band with narrow light stripes is visible behind his neck.
The background is an abstract arrangement of soft-edged blocks and diagonal planes in yellow, peach, orange, coral and pink. A bright yellow area occupies much of the upper left, while deeper orange and reddish areas frame the sides and lower edge. Broad translucent forms, including a pale vertical panel behind the portrait and large curved shapes across the lower half, overlap the background and image. An oversized, faint letter-like form extends beyond the left and bottom edges. The effect is layered and graphic, with no visible border or distinct empty margin.
Two lines of text sit across the upper portion. “Timothy Evans” appears in large red, fine-stroked cursive lettering, stretching from the upper left towards the upper right; its sweeping capitals and long flourishes overlap the coloured background. Beneath it, “DAGRAU” is set in very large white uppercase serif letters across the centre. The letters cross in front of the portrait and pale geometric forms, with the final letters reaching close to the right edge. The cover has a photographic face combined with digitally layered colour fields, translucent shapes and typography. The image is softly rendered overall, with warm, even illumination and no strong cast shadows.
What the image evokes.
The cover has the warmth of a stage-lit portrait or a keepsake made vivid through coloured glass. Its yellow, coral and orange fields seem to glow around the face, while the oversized white surname gives the composition a formal, almost ceremonial centre of gravity. The red script above it adds a more personal, handwritten flourish, as if a signature has been enlarged until it becomes part of the scenery.
There is a pleasing tension between the directness of the smiling portrait and the abstraction around it. The man’s sidelong glance draws attention out of the frame, while the layered panels and immense letterforms keep pulling the eye back towards the centre. The result feels both intimate and theatrical: a recognisable human presence set within a bright, constructed world. The translucent curves can suggest a monogram or decorative cut-out, though they remain ambiguous, serving as visual rhythm as much as readable form.
Associations are subjective readings, rather than documented influences or statements of the artist’s intention.
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These visual notes are offered under CC BY 4.0. Credit dbcovers, link to the source, keep the licence information and indicate any changes.
Ready-to-use attribution
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Lettering & observation notes
- Timothy Evans — Large red cursive lettering across the upper portion
- DAGRAU — Very large white uppercase lettering across the centre
Artwork sources & licence.
Credit the author and source, link to the licence and indicate any changes. Share adaptations under compatible terms. Read the full licence for details.
- Source year
- 2009
- Source author field
- Sain (Records) Ltd
- Attribution
- Sain (Recordiau) Cyf.
- Collection
- SAIN / Wikimedia Commons
- Catalogue number
- SAIN SCD 2548
- Permission evidence
- Public VRT notice: 2017050910011681
- Source checked
- 20 October 2026
Year as recorded on the source file page; it may not represent the work’s first release. File unchanged; browser preview scaled proportionally.