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Sain (Recordiau) Cyf. · CC BY-SA 3.0
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Encore!
Tom Evans
Album artwork for Tom Evans, provided through the SAIN Records collection on Wikimedia Commons.
Inside the image.
A square album cover combines a dark studio portrait with large lettering. An older man with thick, wavy grey hair stands at the right, shown from about the waist up and facing the camera. He wears a black dinner jacket, a white shirt with dark studs, a grey bow tie and a pale folded pocket square. His expression is relaxed, with a slight smile. The portrait is softly lit from the front-left: his hair and the left side of his face catch the light, while much of the right side of his face and the background recede into shadow. The lower jacket merges into the nearly black foreground.
The background is a plain, very dark charcoal field, with a muted grey-purple patch behind the man’s right shoulder. The framing is close, cutting off his arms and lower torso at the bottom and bringing his hair near the top edge. The figure occupies most of the right half, leaving a column of dark space at the left for the title and smaller lettering. The cover has no visible border.
At the upper left, “Tom Evans” is written in large, pale coral-pink cursive lettering with sweeping loops and long flourishes; “Tom” sits above “Evans”. Beneath it, “ENCORE!” appears in uppercase serif letters, coloured pale cream with a thin coral-pink line above and below. Lower down, a small “evda” sits over four lines of narrow white uppercase serif text: “EIRIAN OWEN”, “PAULA SMART”, “SIAN WIGLEY” and “WILLIAMS”. The text is left-aligned and contrasts sharply with the dark background. The overall image is photographic in appearance, with gentle softness and deep, low-key shadows.
What the image evokes.
The cover suggests the poised pause before a performance: the formal clothes, bow tie and neatly arranged lettering evoke a recital portrait, while the man’s slight smile keeps the mood personal rather than imposing. His face seems to emerge from the darkness, as if the surrounding space were a dim stage or a backstage room just before the lights rise.
The coral script lends the design a flourish of old-fashioned showmanship. Its elaborate strokes seem to answer the restrained, upright lettering below, creating a small tension between theatrical display and ceremonial formality. The dark palette and concentrated light feel intimate, almost confidential; the bright shirt and pocket square provide brief flashes of polish within that shadow. The portrait can read as both an invitation to an evening of entertainment and a quietly reflective image of a performer at rest.
Associations are subjective readings, rather than documented influences or statements of the artist’s intention.
Read. Share. Reimagine.
These visual notes are offered under CC BY 4.0. Credit dbcovers, link to the source, keep the licence information and indicate any changes.
Ready-to-use attribution
Other attribution formats are allowed when reasonable for the medium and context. The artwork has its own separate licence.
Lettering & observation notes
- Tom Evans — Upper left, in large coral-pink cursive lettering
- ENCORE! — Upper left, beneath the cursive name
- evda — Left side, below the title
- EIRIAN OWEN — Left side, first line of the small white list
- PAULA SMART — Left side, second line of the small white list
- SIAN WIGLEY — Left side, third line of the small white list
- WILLIAMS — Left side, fourth line of the small white list
Artwork sources & licence.
Credit the author and source, link to the licence and indicate any changes. Share adaptations under compatible terms. Read the full licence for details.
- Source year
- 1994
- Source author field
- Sain (Records) Ltd
- Attribution
- Sain (Recordiau) Cyf.
- Collection
- SAIN / Wikimedia Commons
- Catalogue number
- Sain SCD2068
- Permission evidence
- Public VRT notice: 2017050910011681
- Source checked
- 20 October 2026
Year as recorded on the source file page; it may not represent the work’s first release. File unchanged; browser preview scaled proportionally.