Clyw Fy Nghân

Inside the image.

A square cover with a dark green-to-deep-blue background, lighter and slightly mottled around the centre. A photograph of a seated man fills the middle: he faces the viewer, smiling, with his hands clasped at his waist. He wears a dark blue suit, a pale shirt and patterned tie, with a small gold-toned detail at his jacket pocket. The portrait is cropped around the thighs and set against a softly blurred outdoor background of pale sky and dark greenery.

A tall, narrow oval outlined by two fine gold lines frames the portrait. The oval extends from behind the lettering at the top to below the man's hands, with its lower curve partly obscured by the large title. The figure is centred within it; the surrounding dark field leaves broad areas of empty space at the left and right, though the lettering spans across much of the cover.

Large white serif lettering reading “Timothy Evans” arcs slightly across the top, with the words rising and falling in a loose, shallow curve. The name is prominent and overlaps the upper part of the oval and portrait. Across the lower half, the title “Clyw fy Nghân” appears in oversized white serif letters, with “Clyw” set in gold behind and partly intersected by the white words. The layered title covers the man's lower torso and the oval's base. Near the bottom edge, a smaller gold “Piano:” is followed by the white credit “Annette Bryn Parri”.

The image combines a central photographic portrait with graphic framing and prominent typesetting. The lettering has pronounced thick-and-thin strokes and decorative serifs; the title's overlapping lines make a dense focal area beneath the face. The strongest contrast is between the bright white and gold text and the nearly black green-blue surround. The portrait is more softly lit than the graphic field, with no hard cast shadows apparent.